I’ve written all my books in the third person, with complete control of the story as the narrator. It’s hard because I really want to share what’s going on in the characters head, but that’s not necessarily the job of a narrator. Besides, what I really want to do is drag you inside my head and show you the story. It's the difference between me telling you what is happening and me letting you the reader experience the story as it happens.
First person allows the reader to know the main character and interpret events and actions similarly to that characters. You will either learn to love them or despise them depending on what actions they take in the framework of the story. Annie’s been living in my head for almost four years, and I desperately want people to love her as much as I do. Some have, others want more and still others just don’t care. That inspires me as a writer to find a new way to get inside the character's head so that you can, if anything, like them. So as I re-write the books, I’ve made one major change. Annie’s going first person. I haven’t made the adjustment to The Day of First Sun or She Wulf yet, because the work involved is a little scary. There's is so much that would need to come out and then re-written back in because it's important to the story. I'm still not sure I'm ready to tackle that project they. But in Heavenly Gifts, I’ve already started, and yes it’s a re-write with twenty-five chapters finished.
The surprising thing for me is how effortless it is to tell the story from Annie’s perspective. It’s almost as if I’m possessed by her as she speaks. And I can let you know from the start how she’s feeling and what’s going on in the chaotic, warm, daring brain of hers. So when it's finally finished, I hope you like her and I hope you like the new view.